FRAN ORALLO

(Spain - Espanha)

FRAN ORALLO - (Badajoz, Spain 1979). He lives and works in Glasgow, Scotland. He studied Arts at the UPV, Valencia, Spain. He is currently studying New Media Art at City of Glasgow College, Glasgow, Scotland. His work focuses on experimentation with video and animation. Through the relationship between image and identity, his work explores the different layers that make up the idea of ​​"I". He understands that identity is nothing more than a role, and his work revolves around this performative identity, using the idea of ​​self-portrait in much of his production. He has exhibited his work both in Spain and abroad, participating in biennials, collective exhibitions, and festivals in more than 40 countries. His work has been screened in public and private institutions such as IVAN (Valencia, Spain), Vostell Malpartida Museum (Cáceres, Spain), MAC- Museum of Contemporary Art of Santiago de Chile (Chile), La Neomudejar (Madrid Spain), Centro del Carmen (Valencia, Spain), Ex Teresa Arte Actual (Mexico City, Mexico), Kyrgyz National Fine Arts Museum (Bishkek. Kirghizistan), biennials such as The Wrong Biennale, (Copenhagen, Denmark), VI SIART International Art Biennial (Bolivia), and in fairs and festivals such as arteBA'10 (Buenos Aires, Argentina), Under The Subway Video Art Night (New York), FILE (Brazil), Madatac (Madrid, Spain) or FIVA (Argentina) among others.


TÍTULO - TITLE

AUTORRETRATO CINÉTICO

DURAÇÃO - TIME

03' 00''

ANO - YEAR

2015

PAÍS - COUNTRY 

Spain - Espanha

FORMATO - FORMAT  

16:9


4-1S  AUTORRETRATO CINÉTICO  -  Fran Orallo  1ª SESSÃO | 1st SESSION

IMAGE PLAY ► International Video Art Festival - IV Edition 2022 (Funchal, Madeira - Portugal)

CREDITS: 

Fran Orallo Director 

TECHNICAL SHEETS:

Codec: H264 | Format: HD - 1920x1080 | Fps: 25 | Audio: AAC, 48000 Hz, Stereo/Colour - Single-channel video

SYNOPSIS:

The self is never just "itself" because the individual when interacting socially adopts many roles, their behaviour varies depending on the social environment, we are different from our mother, from our co-workers, or from our partner or friends. This multifaceted character of our personality derives in the typical identity problems. Man's need to cover himself and undress himself of all masks is what makes his search for his own identity imperative and even tragic. Faced with the hierarchical perspective of identity, at an intersubjective level, what we really are cannot be defined as a rigid arrangement, but rather as a loose juxtaposition of identities. Our social identity arises from the dynamic and diachronic relationship of multiple partial identities, dynamic and diachronic because the possibility of creating and breaking masks is characteristic of development as an individual.

Kinetic Self-Portrait consists of an experimental video in the form of a triptych, which reflects on the identity/alignment duality. The video shows a piece of machinery that rotates three different versions of the same portrait. When the mechanism works, the image blurs, blurring the characteristics of the portrayed person.


 TÍTULO - TITLE                       DURAÇÃO - TIME              ANO - YEAR                   PAÍS - COUNTRY                FORMATO - FORMAT
   VARIATIONS                                   04' 00''                           2022                          (Spain - Espanha)                                16:9


16-2S AUTORRETRATO CINÉTICO- Fran Orallo 2ª SESSÃO | 2nd SESSION

IMAGE PLAY ► International Video Art Festival - IV Edition 2022 (Funchal, Madeira - Portugal)

CREDITS:

Fran Orallo Director

Codec: H264 | Format: HD - 1920x1080 | Fps: 25 | Audio: AAC, 48000 Hz, Stereo/Colour - Single-channel video

SYNOPSIS:

The video consists of an experimental abstract animation, divided into a series of sequences of approximately 30 seconds each, made by creative coding software. The animation is made by basic shapes such as ellipses and rectangles that form different patterns on the screen. All of them together form a visual composition minimalistic and poetic. Each composition uses the same color pattern, gray for the background and yellow for the shapes, making them regular and symmetrical. Also, an audio file supports each composition. The movement of the shapes follows the rhythms of the audio.