MALITZIN CORTES – CNDSD

( Mexico – México )

MALITZIN CORTES – CNDSD - Musician, Digital Artist, Creative Technologist. Her work unfolds between Live Coding, Live Cinema, XR Experiences, Creative Coding, Speculative Architecture, Experimental Music, Design and Sound Art.

She is a professor and researcher at the University CENTRO | Design, Film and Television in the field of creative code, STEAM and new sound and immersion technologies and in the CMMAS in the field of algorithmic musical composition and live coding.

She has held live events and exhibitions at the Multimedia Center, Alameda Art Laboratory, Ex-Teresa Current Art, Digital Cultural Center, Medialab Prado, Spain Cultural Center, CMMAS, Vorspiel, Transmediale Berlin, ISEA, CYLAND MediaArtLab San Petesburgo, ADAF Athens, Ars Electronica and MUTEK Mexico, Argentina, Montreal and Japan.

As an artist, she investigates the ways in which sound, architecture, technology, and science have the capacity to be great disseminators of discovery and self-reflective devices that can trigger speculative worlds. Through processes of coding, experimental sound, CGI, video game software, installation, virtual and augmented reality and performance, it seeks to merge the physical and the digital through unprecedented models of social and political interaction, same are capable of providing new ways of relating from utopia and fiction in a constant present state of crisis and also of hope.

The sound proposal of the CNDSD is conceived in an experimental environment and cross-border musical exercises: granular landscapes that recombine algorithmic music, soundscape, hypnotic noise improvisations, live coding and asymmetric patterns.


TÍTULO - TITLE

MELTING QUARTER/QUARTER  

DURAÇÃO - TIME

5'29''

ANO - YEAR

                 2025

PAÍS - COUNTRY 

(Mexico – México)

FORMATO - FORMAT  

16:9


15-1S  MELTING QUARTER/QUARTER  - Malitzin Cortes – CNDSD   1ª SESSÃO | 1st SESSION

IMAGE PLAY ► International Video Art Festival - VII Edition 2025 (Funchal, Madeira - Portugal)

CREDITS:

Malitzin Cortes – CNDSD  Director / Creator

Malitzin Cortes – CNDSD  Visual Production

Malitzin Cortes – CNDSD  Music Production


SYNOPSIS:

Melting Quarter is a live improvisation created with ORCA, a two-dimensional esoteric programming language conceived as an infi nite generative score. In this piece, CNDSD explores the idea of a room in constant melting —a metaphor for heat, digital fatigue, and the urban fragility of Mexico City— where temperature, fan noise, and algorithms intertwine in a real-time sonic texture. The work moves between algorithmic improvisation and sonic speculation, evoking a state of physical and digital liquefaction that questions the boundaries between machine, environment, and body..

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       TÍTULO - TITLE              DURAÇÃO - TIME         ANO - YEAR           PAÍS - COUNTRY              FORMATO - FORMAT

     ALPACA SESSIONS                    9'58''                         2021                 (Mexico – México)                            16:9                                                                                                                  


12-2S ALPACA SESSIONS: Artists pushing live algorithmic sonic  - Malitzin Cortes – CNDSD  2ª SESSÃO | 2nd SESSION

IMAGE PLAY ► International Video Art Festival - VII Edition 2025 (Funchal, Madeira - Portugal)

CREDITS:

Malitzin Cortes – CNDSDDirector / Creator

Malitzin Cortes – CNDSDVisual Production

Malitzin Cortes – CNDSD Music Production


SYNOPSIS:

Alpaca sessions: Artists pushing live + algorithmic + sonic patterns forward Featuring CNDSD, IrisS, Alexandra Cardenas and Paola Torres Nuñez del Prado As part of his No Bounds residency, Alex McLean puts together this online live series of producers who are pushing algorithmic patterns forward through sound.

As well as performing widely (including at No Bounds) Alex co-founded the Algorave movement and created the popular free/open source live coding system TidalCycles.

These Alpaca sessions showcase those using TidalCycles and similar algorithmic music platforms to look beyond stylism, instead using algorithms to restructure music, building on the ancient tradition of pattern making. This third and final (for now) session showcases top artists from Latin America working with sonic patterns.r.